Body

Group show featuring Frank Ahlgrimm, Tim Berresheim, Marco Biagini, Sofie Bird Møller, Daniele Buetti, Billy Childish, Anne-Lise Coste, Georg Herold, Blair Hughes-Stanton, Uwe Max Jensen, Joan Jonas, Renzo Martens, Josephine Meckseper, Bjarne Melgaard, Russ Meyer, Albert Müller, Seth Pick, Julika Rudelius, Friedrich Schröder-Sonnenstern, Rosemarie Trockel, Tom Wesselmann

17.11.2017 - 26.01.2018

Press Release Exhibition Views

english / deutsch

Body
Seductive. Inviting. Repulsive. Tempting. Dangerous. Mysterious. Explicit. Implicit. Provocative.
Challenging. Natural. Unnatural. Intimate. Chaste. Wounded. Celibate. Reflective. Beauty. Objectified.
Fantasy. Obsession. Toy. Shame. Sublimation. Sin. Expressive. Private. Functioning. Ecstasy.
Vulnerable. Abuse. Fetish. Transgression. Sex. Broken. Sick. Decomposing. Old. Young. Needy.
Posing. Projection. Power. Frustration. Perversion. Decay. Loss. Fragmented. Idolized. Ideal.
Depersonalised. Impotent. Physical. Unreal. Transfixed. Exhibitionist. Source of life. Magical.

Exhibition view: Body, 2017, photo: Bernhard Kahrmann.

Tom Wesselmann: Study for Great American Nude, Legs Spread #3, 1969, Ed. 4/5, thinned liquitex in colours and pencil on paper, paper: 37,5 x 45,5 cm, frame: 42,5 x 50 cm.

Seth Pick: Boys Drying Themselves With Cat, 2009, oil on linen, 40 x 30,5 cm.

Seth Pick: Shower Curtain, 2009, oil on board, 29 x 21 cm.

Josephine Meckseper: Untitled (Long Leg), 2010, mannequin leg in hosiery on a mirrored pedestal, 66,5 x 12,7 x 15,9 cm.

Josephine Meckseper: Sergio Rossi, 2001, Ed. 3/4, C-Print, 28 x 35,6 cm.

Renzo Martens: Self Portrait by Mananga Kibwila, 2014, Ed. 3/5, chocolate, 34 x 35 x 32 cm.

Uwe Max Jensen: I will crap on Tate Modern’s toilet whilst sitting back to front on the toiletbowl, 2001, Ed. unique, photography, 150 x 100 cm.

Daniele Buetti: Good Fellows: Christian Dior, Paris, 1997, Ed. 1/3, altered photography, mounted on aluminum, 56 x 76 cm.

Georg Herold: Earthquake, 1989, Ed. 11/35, black and white offset print, 54,5 x 75 cm.

Russ Meyer: Uschi Digard, 1974/2000, Ed. 4/20, C-Print, 34 x 26,5 cm.

Bjarne Melgaard: Untitled. From Planet of the Apes, 2002, charcoal and crayon on paper, 40,5 x 33 cm.

Daniele Buetti: Dior. YSL, 1997, altered photography, pen and ink on paper, 30 x 21 cm.

Rosemarie Trockel: One of Eight illustrations for the Netter Art Collection Volume „Genitals“, 2000, Ed. I/XV, silkscreen and offset on paper, 59 x 83 cm.

Rosemarie Trockel: One of Eight illustrations for the Netter Art Collection Volume „Genitals“, 2000, Ed. I/XV, silkscreen on paper, 59 x 83 cm.

Rosemarie Trockel: One of Eight illustrations for the Netter Art Collection Volume „Genitals“, 2000, Ed. I/XV, silkscreen and offset on paper, 59 x 83 cm.

Friedrich Schröder-Sonnenstern: Die Praxis, colored chalk on paper, 72 x 51 cm.

Albert Müller: Seated Female Nude, black crayon on paper, 51 x 31 cm.

Georg Herold: Schande, 1986, Ed. 2/10, photograph, photocopied, painted wood, 44 x 28 cm.

Julika Rudelius: The highest point, 2002, Ed. 3/5, video installation, 12:40 min.

Julika Rudelius: And I For No Woman, 2013, Ed. 1/5, video installation, HD video, 9:30 min.

Joan Jonas: Untitled, 2009, charcoal on paper, 95 x 63,9 cm.

Joan Jonas: Untitled, 2009, ink on paper, 142,3 x 73,3 cm.

Anne-Lise Coste: Untitled (Black Figure 4), 2007, ink on paper, 65 x 50 cm.

Anne-Lise Coste: Untitled (Black Figure 3), 2007, ink on paper, 65 x 50 cm.

Anne-Lise Coste: Untitled (Two Black Figures 2), 2007, ink on paper, 65 x 50 cm.

Anne-Lise Coste: Untitled (Two Black Figures), 2007, ink on paper, 65 x 50 cm.

Anne-Lise Coste: Untitled (Black Figure 2), 2007, ink on paper, 65 x 50 cm.

Anne-Lise Coste: je te tue, 2007, ink on paper, 65 x 50 cm.

Billy Childish: nude reclining, 2015, oil colour monoprint on handmade Khadi paper, paper: 78 x 57 cm, frame: 84 x 64,2 cm, © Billy Childish, photo by Jens Ziehe, Berlin, courtesy of the artist and neugerriemschneider, Berlin.

Billy Childish: juju, 2015, oil and charcoal on linen, 122 x 152,5 cm, © Billy Childish, photo by Rikard Osterlund, courtesy of the artist and neugerriemschneider, Berlin.

Sofie Bird Møller: Untitled (from the series "Ex Biblia") #45, graphite and ink on steel engraving from Bible (1855), framed, 36,3 x 29,3 cm, courtesy: ALEXANDER OCHS PRIVATE.

Sofie Bird Møller: Untitled (from the series "Ex Biblia") #44, graphite and ink on steel engraving from Bible (1855), framed, 36,3 x 29,3 cm, courtesy: ALEXANDER OCHS PRIVATE.

Sofie Bird Møller: Untitled (from the series "Ex Biblia") #42, graphite and ink on steel engraving from Bible (1855), framed, 36,3 x 29,3 cm, courtesy: ALEXANDER OCHS PRIVATE.

Sofie Bird Møller: Untitled (from the series "Ex Biblia") #36, graphite and ink on steel engraving from Bible (1855), framed, 36,3 x 29,3 cm, courtesy: ALEXANDER OCHS PRIVATE.

Blair Hughes-Stanton: Priapus, 1933, wood engraving, 21,59 x 12,7 cm, mounted in conservation card and framed, outside mount size: 40 x 29 cm, courtesy: Abbott and Holder.

Marco Biagini: High Visibility Burqa #1, guerilla performance at La Biennale di Venezia, 2015.

Daniele Buetti: Good Fellows: Louis Vuitton, 1998, altered photography, 43 x 32 cm.

Tom Wesselmann: Study for Great American Nude #97, 1967, Ed. 14/31, thinned liquitex on paper, paper: 37,5 x 45 cm, frame: 42,5 x 50 cm.

Tim Berresheim: Aspettatori (gradient) VI, 2014, Ultrachrome on paper, 90 x 80 cm.

Josephine Meckseper: Untitled, 2014, Inkjet print on canvas, 238,76 x 177,8 cm.

Frank Ahlgrimm: Selektion, 2005, acrylic, oil and industrial lacquer on canvas, 270 x 210 cm.

Body

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